The tool wasn't a retail product, but rather a tool used to figure out a solution to a specific problem. The UI provided 2D rendered slices through the 3D cube to help visualize the transform being created. The UI was in 3D, and 3D glasses were worn to edit the 3D cube lattice (editing was in stereo 3D). It used a 3D LUT, with trilinear or tricubic interpolation. I guess that creates a sub category.īefore I got more serious into filmmaking, I created a custom tool to allow mapping any color to any other color. Just to clear it up, all of these LUTs still look like digital that is trying to look like film. The captain hook LUTs are free and actually provide a really nice base. Half of the bmpcc pocket footage stuff looks terrible because of the LUTs applied. It seems like these work well in the right setting, but people should really try to create their own looks as well. The other luts I tried aren't - and I've tried them all - well the big ones and the new one but I don't want to mention their names because I don't want to say anything negative but the popular one has too much magneta in the highlights and has weird film pattern that looks artificial and the other one that just came out just has like 10 luts - not customized per each camera's view of what is acceptable for a film stock. Their webpage has an incredible manifesto about why using a LUT is good - is cool - is acceptable - and I couldn't agree more: So now it's been about 2 years since I started messing with Resolve and time after time, I find that Visioncolor Impulz luts are the best tools to get any footage - from DSLR to Alexa to look like film and in my eyes to look the best. I used to be the biggest filmconvert fan - but I am seeing certain limitations with it all.Īnd on custom luts - I have had little luck - I feel like it's a matter of pride to say you create one's own - and but I just hit walls with my own stuff - but it's me - I'm not trained as a colorist at all - I'm just learning as I go along. Personally I think Filmconvert though has this weird magneta highlight thing going on with all its emulations - and that it doesn't really nail the film grain that well - it doesn't seem to feel as authentic how it handles skin tones or highlights - how it gets the blues in the sky - I feel like impulz gets there closer right away. I find myself using FilmConvert a lot more lately. I like creating my own LUTs for 75% of the look, then I will maybe use Impulz for the Film Print Emulation version of a stock and set it to 50% opacity. 3dl LUT format.LPP Tetrachrome when I use them but I don't find myself using them much. ![]() This information was then translated into. The color response of the stock was then measured extremely accurately, using specialized equipment and processes developed for the digital intermediate workflow. Each started out as physical print stock which was then carefully developed and checked for accuracy. Once you have applied Koji, you will find that making subtle adjustments to the exposure and color will allow you to craft your own look very quickly.Captain Hook Film includes six 35mm motion picture film stocks. Just like physical 35mm print stocks, Captain Hook Film digital print stocks are a medium, not a finished “look”. Simply choose a Captain Hook Film film stock, apply it to your clip, and then use the color correction tools inside your editing or color application to refine and perfect your creative grade.Captain Hook Film is designed to be a starting point for your own creative grade. 3dl LUT files than can be easily applied to your footage. Captain Hook Film Studio Pro LUT includes DCI-P3 support for Cineon.Captain Hook Film Studio also includes Captain Hook Film DSLR and Captain Hook Film Log.Captain Hook Film is a set of standard. These LUTs provide an option for a richer, more striking print emulation and are designed for experienced colorists (they will look unbalanced “out of the box” and will require correction). ![]() ![]() Captain Hook Pro Studio Film Emulation LUT provides a technical version of all Captain Hook Film print emulation LUTs with full color separation.
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